This post is about The Birthday Present, but I'll start by mentioning a GREAT bundle where you can find fantasy and historical books for review! For the next 2 weeks I and 19 other authors are offering adventure books for review. Mostly fantasy, with a few historical and steampunk titles. I’m providing 2 books, Facets of Fantasy and The Test of Devotion. All the authors want reviews! You can read a sample (first two chapters, in my case) before committing to the book, so that then you’ll be confident of actually finishing and reviewing later. Authors will give books through download or through Amazon gifting. Click this link to start looking for a book to sink into. https://storyoriginapp.com/to/LMsaifd
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Something about The Birthday Present would never blend into my other story collection, Facets of Fantasy, although I could see the practicality of not burdening people with too many drifting little collections. Wouldn’t it be so much better to present them with just one? But The Birthday Present, although it seems similar to the Facets stories, is actually more realistic and not so much of a fantasy adventure. "Millhaven Castle," however, in spite of its superficial lightness does share that realistic-even-a-touch-depressing quality. Which brings out the question—what makes a story seem lighter and what makes it seem gloomier?
It’s not a quality in the plot’s incidents, since "Millhaven Castle" is mostly a comedy of manners (since it’s in an imaginary world I imagine fantasy of manners is most accurate.) It’s in the state of the world the characters live in. Millhaven’s dippy little rural kingdom isn’t as extreme as the far-future world of Birthday Present, but both societies are at the same point. They feel hopeless and almost bored, locked in a long-going dispute with another group of people, an endless civil war of sorts, that has ground them into a state of futility. They really are going in circles all the time, with nothing to say, going over these same concepts without any freshnesss and increasingly without any interest. But it’s the way they’ve always lived and they can’t change.
Or can they?
TBP isn’t a hopeless story at all and neither is "Millhaven Castle." Both stories start at the end of this long, useless path the characters have traveled, and by the end things are looking up. People start to make positive changes. They start to express individuality, their own wishes, and independence. Breaking out of this stagnated system into new life. The last words spoken in The Birthday Present are (guess what?) “Happy Birthday.” Birthdays are celebrations of the life you’ve lived the past year, not a statement of defeat. And they promise another year to come. Birthdays are about hope. And Alyce, finally released from a tedious and very selfish hostility that has culminated in a king viewing her as a threat, decides to burn that old ball dress she was forced to wear to visit him. “Which, now she thought about it, was what she’d always really wanted to do.”
Now that’s a happy ending.
And there will be more updates.
Pleasant Fiction in an Age of Noise
I write stories about human emotions--about the journey of life. Every step of it can be meaningfully great or simply terrible and you can only reach the end after experiencing many kinds of things that make you grow. Emotional travels are the travels of life and the road of living is not one planned out in notebooks or organized in Scrivener. It is felt in love, hope, and fear and developed through an understanding of why humans go through these. And, on top of that, my stories are adventure stories. History, fantasy, and daily modern situations are all adventures as long as you don't know for sure what's going to happen when you wake up each day. Because that would be like repeating the same day over and over again and who wants to do that?
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