Tomorrow Has a Beautiful Sound
I mentioned in my last newsletter that I'm really busy these days. Not to go into particulars, but getting lots of newsletter posts written and published last year while I was also writing and publishing Celestine was a strain because it's hard for me to find time and proper environment to write. This is not an excuse or a subtle way of signing off--the old "I'm just so busy" phrase is a catch-all for gently eliminating any socializing that has become an unnecessary part of your life. Let's admit it, we've all done this when we have too many things on our plate and need to cut back. It's not lying to say we're busy. It's quite truthful. We are busy and that means we need to prioritize some things over others. But "I'm busy" sounds much kinder than "I'm deprioritizing you" which is why this excuse is so ubiquitous!
This blog post isn't such an excuse. I am not deprioritizing my newsletter subscribers because without you I can't share my book concepts, bounce off ideas, spout about reviews and reader/author culture, and talk shop generally. (Well, that's not technically accurate. I share a lot with my sister, Sister 4, who still lives with me at home.) But having a close relative listen to you, while invaluable emotional support, isn't quite like a newsletter or beta reader circle because she's always so loving. This type of support is crucial, and without it authors will wither up, but authors also need a sampling--or warning--of what potential readers, strangers, people stumbling into your genre by mistake, and those looking for faults in presentation and editing might be examining in your work.
But right now time taken writing blog posts is time taken away from writing books. And I've got to get back to writing--the reader magnet I planned, the series of time-travel stories for sale on my website, and then later books. I need to return to my story set in Scotland (which has moved from a historical story to a contemporary comedy with some romance) and then there's that epic fantasy book I've always wanted to get back to. Plus there is The Prince's Ball, a rework of an old manuscript with so much extra material that never made it into the story we call Millhaven Castle. I've floated this idea around for years, but never quite found an opportune slot for publishing it as other projects got in the way. In short, I have a lot of things in the queue like lava in a volcano when the vent is blocked.
So I'm going to take the next 3 months off from all online activity outside of a once-weekly post on FB just to show I'm still alive. Could be longer than 3, but that depends on how much new writing I get done in that 3 months. If I get a lot done, I'll come back with new announcements. If I need more time, then the online vacation will stretch until I'm ready to return. This hiatus includes my blog and newsletter as well. I am going to hibernate and write, write, write. If you want to follow me on FB, feel free to. I no longer use my official author page, though it still exists, because it so boring and clunky to toggle 2 FB accounts and FB won't let most people see my author page posts anyway. Here's a link to my personal profile where you can Follow me or you can add me as a friend if you prefer. I confirm requests from women. Men--just send me a message with your request, saying that you are from my newsletter and that's how you found me. If you're already on my FB, good for you. You are a valued friend. :)
In a few months I will have a lot more to share with you!
A Prophecy of Sorts
If you're an author, you'll hear a lot of advice about making the majority of your books link together into a series. Preferably a long series, perhaps with connected novellas, prequels, and other perks. The reasons usually given are: that it's honestly easier to keep writing in a world that's already been created, spinning out more stories in that world, than to invent new worlds and characters from scratch every time; and also that it gives readers a feeling of continuity. They know pretty much what they are going to get from you because it's all in the same world, whereas if you do lots of standalone projects, lovely and unique as each might be, readers aren't sure they will have the same feelings about your new book as about your last one because it's simply 100% different.
Ease of writing--what I call "lazily churning out"--books isn't appealing for me, nor should it be to anyone who is thinking carefully. Readers can always tell when an author has put in a thorough effort and as a series or loose set of interconnected books, shorts, and prequels drags on they will recognize that dialed-in feeling. I read an interesting article recently, when I was looking up behind-the-scenes on The Man Who Shot Liberty Valance (a great old western, by the way.) When I scrolled down, I saw bits of an interview with two actors in the series Yellowstone, about what it was like to work with Kevin Costner. Kevin Costner has been around a long time. He made some of his famous movies when I was a kid. So by now he has been a household name for years. The others said they were surprised by how hardworking and humble he was. He never treated the production in a cavalier way, he was never arrogant, and he never expected to do less because he was a big star. The quality of the work remained as important to him as it was when he first started acting. The article clearly portrayed their respect for this man.
So interconnecting my books because it's sheerly easier to get readers involved in the same world, with minimal effort from me, is definitely not my goal. BUT there is a good reason to link my books more closely. The reason is not author comfort, it's reader comfort. I've bounced all over the place in many genres and while I have certainly taken the time to work hard on each book, readers might not be sure what they're getting. (Other than that it is a quality story, of course.) Exactly what quality story, though? In a time when about 90% of books are a burn experience for readers--and trust me, I read a lot because I love books and I've been burned many, many times--trust is really important. (It's also true that many times I have loved a book I read, obviously, or I would not still be writing or reading now!) I've been mulling for a while now about how to connect my stories better. I do have one trilogy, but the rest are all stand-alones in different genres. How could I link them? The best way is of course to write a reader magnet--a story meant to be given away as a sample--because I need one anyway. In the past I've given away my actual books in place of a dedicated magnet and that's not a great strategy.
For several months I've been planning to write a new story to be used promotionally that will link all my stories together through the element of time travel. Because I have historical eras I'll need a way to get those characters to interact with modern ones and since I have science fiction books, a character in one of them can find a time-travel machine. Time-travel also makes it possible to alter the ages of the characters so they can be older or younger or even meet an older version of themselves. The concept is for a few selected characters from each book to bump into each other using time-travel and then have an adventure together, with a small appendix in the back that lists which books they came from so you can read more about a character you really enjoyed in the sample. I'm also planning additional stories using the same idea (episodic adventures for my characters in time travel) to be sold as exclusive content on my website and I hope to add other products besides fiction into the webstore.
I have been so busy I keep putting it off. I haven't found the time to just sit down and write a story these days. But I'm going to get this story written soon, so consider this announcement a prophecy of sorts. I will put up a short-term link for you to get the story when it's done. Its main purpose is to attract newsletter subscribers, after all, and to start readers off with a linked, connected view of all my stories and how they fit together. The download will expire quickly though so you'll want to snap it up when you open that email.
And there will be more updates.
That Moment When You Go "Oh No!"
Last Sunday I had a nice time out with two of my sisters, visiting the Scarborough Renaissance Festival up in Waxahachie, Texas. You see, it works like this—I am the oldest. Then there is Sister 2 (Hannah.) She got married at this Renaissance Festival in 2018. So when Sister 3 (Andrea) invited Sister 4 (Marianne) and I to go with her this month, I agreed because I wanted to see the pavilion where the wedding was held. The wedding day had been freaky—extremely cold for the time of year and we were freezing our toes off standing outside, some of us in costumes. (Me personally in plain street clothes, but still cold.) Think Pepa's wedding day being ruined by a hurricane type of freak weather. Encanto!
Wedding pictures were cut short because of the cold. Sister 4 and I went back to thaw out in our motel and didn't stay to enjoy the icy, windy Faire. Which meant, I realized when I revisited it, that I'd missed 98% of it. It was nostalgic to see the Pavilion again, now filled with some sort of crowd, so I didn't enter it because I was afraid I would disturb an event. I had really wanted to sit again on the bench I had sat at during the wedding to take a trip down memory lane. But this visit was different—hot and humid. I saw some jousting (huzzah), toured many shops but purchased only a few things, learned court dances, and admired some majestic birds of prey and the great skill of falconers who run a non-profit that cares for injured birds of prey.
Here are some pictures of the bits of merchandise that I got. A set of art cards signed by the artist; a little pottery sculpture of mushrooms (my aunt used to make things like this); some tiny earrings from a shopkeeper who helped us out and then we bought from him; and specialty lip butter from Sister 3, who likes the soap and candle stores in the Faire. I did not notice until Sister 4 pointed it out to me, but I bought the lip butter flavor Redrum—which is actually murdeR spelled backwards. Wow. Not sure what to think about that!
I also got some business cards made last week (finally) as well as some bookmarks, which means I now have something to give people when they ask about my work. I've been meaning to do this for literally years, but never got around to it. My first efforts at business cards were homemade affairs, about 15 years ago, because I couldn't afford anything else, but recently I've often wished I had real business cards or bookmarks to hand out. So I got those done at last—more pro than the last time!--so my name and website are written down and people can remember them after talking to me.
Celestine Princess rounds out the Palladia Trilogy. It was published late after my other books—4 years after my last new book, Bellevere House. When I started out, I just tried to get stories towards whoever would take a chance on reading them. But after 2017, something changed. For the first time there was an actual audience for these books. So it was like “what type person gets which book” and that process went on for about 2 years until I started to run out of books. At that point I rewrote the forgotten Test of Devotion, but it still wasn't enough because there were more readers who wanted a book and didn't have one. So I brought back some old skits from my blog, digging deep to find more material for people--This Merry Summertime—which filled a gap. But there were still some who didn't feel like they had a book. It's that moment of "Oh No, I missed something." Finally I realized I just did not have anything for these people, so I had to write one for them, and the obvious place to put it amongst my other books would be to tie up loose ends in Palladia. So Celestine was written to be a completion—and that's what is so great about it. If more and more people had not gotten interested in my work over the last few years, Celestine would never have been written.
My name is Arielle. I’m the one who doesn't like people who can't fit in.
Even when I'm one of them. In Dorilantz the conflict between the EC and Invaders isn’t a circular rigmarole between similar factions. It’s war. War on my village and my family, in particular. Which turns into a war on me.
You think I’m being angsty, don’t you? It can’t be that bad, you say. I’m exaggerating. But after a masked leader of the Invaders kidnaps you and forces you into a ritual of being shamed and mocked and yelled at over nothing, it’s hard not to draw your own conclusions. He’s out to get me. And he sure likes to tell me what to do.
He's terrifying. Everyone is so afraid of him they can barely speak in his presence. He carries a big heavy metal stick and he’ll hit you on the head with it too. And he used to be EC, it seems. When two girls from Palladia, named Katia and Consuela, came to help me, I learned the danger from The Man isn’t that he wants to hurt me. It’s that I could so easily become just like him. The line between EC and Invader was always murky—and it has never been thinner than now.
And there will be more updates.
Young Adult Fiction Writer
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