One issue that any storyteller will encounter in the book market these days is deceptiveness. I’m not speaking of cloudy interactions with other authors, insincere networking, and unclear feedback. I’m speaking of the way stories are actually written. Far too many readers are used to seeing a “real” story laced under the surface of the so-called narrative. They push aside the story on the surface and automatically reinterpret to find the content they believe is hidden.
This can be legitimate if the author actually intended it that way. But not every book is this way and such thinking easily becomes aggressive, pushing what is stated to be there aside in favor of what you’re sure you see. People who become accustomed to this approach will start simply imagining there must be a “real” story beneath anything they come across.
They will start to read The Book That Isn’t There.
This has often happened with my books because the whole point of them is to make things clear, to make the story simple so we all know what we’re talking about. But if you’re used to reading this way, you’ll automatically dismiss what I’m saying and start getting into a very murky kind of creativity. I couldn’t possibly have simply written a story to read. I MUST be hiding something. If I say Bella in Victoria: A Tale of Spain is sad and lonely because her parents don’t like her personality, I must have really said they have been trying to force her into an arranged marriage but won’t admit it and the other sisters don’t know this.
But that isn’t what I said. It simply isn’t. People who don’t read my books as straightforwardly as a child would are reading The Book That Isn’t There. What you see really is what you get. I am up to literally nothing. If you think my book is boring, that’s because you really think it is boring. It’s not that there’s a hidden plot underneath that would make it more interesting to you and you don’t know WHY I’m not developing that plot. It’s not because I don’t know how to write my book and if you asked me little personal questions about it perhaps you could get me to admit the story underneath. It’s because you don’t know how to read my book and are trying to make it another book.
A Book That Isn’t There.
And there will be more updates.
Pleasant Fiction in an Age of Noise
I write stories about human emotions--about the journey of life. Every step of it can be meaningfully great or simply terrible and you can only reach the end after experiencing many kinds of things that make you grow. Emotional travels are the travels of life and the road of living is not one planned out in notebooks or organized in Scrivener. It is felt in love, hope, and fear and developed through an understanding of why humans go through these. And, on top of that, my stories are adventure stories. History, fantasy, and daily modern situations are all adventures as long as you don't know for sure what's going to happen when you wake up each day. Because that would be like repeating the same day over and over again and who wants to do that?
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