The Palladia series began with a small novella—which grew into a standalone book—which eventually got joined to another standalone book that had been written separately—which is now developing yet another book after it. This new book, like everything else about Palladia, is taking a direction I hadn’t foreseen and hadn’t particularly wanted it to have at first.
I posted a while back on possible ideas for this story, which included a fun, rather juvenile-feeling sort of romp in the outer-space colony of Alphea. And, as happened for what feels like the thousandth time, the story moved itself forward in a quite different direction. Towards the hidden past of the EC instead. There’s a character called Meldono who is mentioned briefly in Invaders as the “founder of the EC,” at a time that appears to be about a hundred years from now and two hundred years in the past from the time of Invaders. Nothing else is mentioned about this man except that he had been an Invader who took the side of the EC and Katia looks at a statue of him.
City of the Invaders was never really my personal favorite of my books, nor was Consuela. I enjoy working on every story at the time of writing, but like all authors it’s hard not to feel particularly fond of some for whatever reason—personal emotions, association with a family event or a special location, a feeling of achievement in showing a character or social issue, etc. As I mentioned last month about Victoria’s King Felipe, he’s a little bit a favorite character of mine. I’ve never felt that way about any of the characters in these two books. In fact, I wrote Consuela as a filler and then dismissed it as a dud. It looks a bit different now when compared to its original, silly first draft even though the story components weren’t changed very much. But the series gradually, slowly develops more on its own arc than in line with my feelings about it. It's a little bit humbling, actually.
When I draft new ideas, working on another aspect of the Palladia world is never a priority for me. It just keeps occurring to me. And the EC’s origins were not a concept that I thought of as having any mystery to them. They were just a plot device to get these kids to be in a stalemate with a majority group—so the kids have to be in a minority group, right? But once the idea appeared of Meldono possibly coming back to life and when alive he’s not much like the EC legends said he was, the third book’s brainstorming started to change. A lot. I guess sometimes you can write a story without knowing what it’s about at first—and then, more and more, you find out.
And there will be more updates.
Pleasant Fiction in an Age of Noise
I write stories about human emotions--about the journey of life. Every step of it can be meaningfully great or simply terrible and you can only reach the end after experiencing many kinds of things that make you grow. Emotional travels are the travels of life and the road of living is not one planned out in notebooks or organized in Scrivener. It is felt in love, hope, and fear and developed through an understanding of why humans go through these. And, on top of that, my stories are adventure stories. History, fantasy, and daily modern situations are all adventures as long as you don't know for sure what's going to happen when you wake up each day. Because that would be like repeating the same day over and over again and who wants to do that?
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