Millhaven Castle has always been a unique story. It wasn’t actually much like the original story with these characters that I’d worked on for years before, but it sprang up on its own with a little village of idyllic-but-look-more-carefully people living on the edge of an old secret in the kingdom. These people are the Sherbans and over time their culture has declined. But they’re still very dedicated to it and believe it or not, they think there’s something in all this opposition to a royal dynasty so long after said dynasty has become established. Nobody cares for their opinion, clearly, and constantly making dissent to the government your brand name is obviously not a great idea.
But Sherbans are very stubborn people and not as friendly as they look. Oh, they have down-home-values, sensible style of dress, rural farming and gardening ways, and all of that. But they know where the real value is even if they don’t see all the details and even if the situation looks risky. Long before it becomes apparent a Sherban named Alyce holds the secret to the Falknor’s succession, all the Sherbans remain confident there is some value in their culture after all.
They also aren’t as easily oppressed as they look. The reason a messenger from the king is such news in Alyce’s little corner of the world is because Capsells RARELY—and I mean RARELY-visit them. When Capsells come, they get chased off with rocks thrown by Sherban boys (Who have really good accuracy, by the way.) So they get left alone in the lovely vales of Milland. Sherban lands are the sort of peaceful, sweet place where you’d like to go on honeymoon. Except for the Sherbans being there, of course. Like I said, they’re not always the most welcoming.
And there will be more updates.
Pleasant Fiction in an Age of Noise
I write stories about human emotions--about the journey of life. Every step of it can be meaningfully great or simply terrible and you can only reach the end after experiencing many kinds of things that make you grow. Emotional travels are the travels of life and the road of living is not one planned out in notebooks or organized in Scrivener. It is felt in love, hope, and fear and developed through an understanding of why humans go through these. And, on top of that, my stories are adventure stories. History, fantasy, and daily modern situations are all adventures as long as you don't know for sure what's going to happen when you wake up each day. Because that would be like repeating the same day over and over again and who wants to do that?
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