It's always far too easy to confuse a creative person with the work they do. I'm glad I'm not an actress, because at least half of the people who watch a movie don't seem to realize that actors play characters who are not themselves. That's the whole point of the word "actor." The idea of representing somewhat other than yourself. But far too few people understand this. The character becomes real to us and then we forget the actor is acting. But that doesn't make the illusion anything other than that. An illusion. Actors are not the characters they play, unless they're quite bad actors indeed.
In the same way, I've felt people have tried to view my work over the last decade as a personal expression. In short, that my heroines are me. Their romances are what I'd theoretically like to have; their falsities and errors are mine; if they are shady or make mistakes, that's because I'm a very shady, mistake-ridden person. If they are shy or in pain, that's because I'm revealing my pain to the world; if they're tolerant, their tolerance of that exact thing is a reflection of mine. I've already talked about the problem this created with Alyce, where a resigned, slightly run-over girl is the main character. But it appeared with every one of my books.
To make things worse, a very large number of authors DO write only about themselves, as there are untalented actors who can't act. Some of these authors are just living the dream in their fiction and admit it, but the others are actually trying to write about other people and can't because their writing is so bad. There's nothing but a bad motive in trying to apply that as a sweeping label to any author you run across. That kind of attitude is out of place and in doing it you will make the mistake of not seeing what's actually in their books. Hence people would treat me in an amazing way because they thought I was the heroine they were currently reading about. And I didn't, of course, love an assumption in its essence belittling. Why wouldn't I be a good enough writer to show other people? I don't think you have any proof I'm so amateur.
My stories are complex and I'm actually trying to say something with them. If that preconception that I'm working through or fantasizing about my own situations is removed, the real story in the books is a whole lot easier to see. In most of my stories, I write about situations in which a bad guy is revealed to be a surprise and not who you think. If you're endlessly reading through a lens of, "I bet you showed this heroine as afraid of the lead male because you're afraid of men," you'll miss the point. Like Stormtroopers with random targets, you'll do nothing but miss.
And there will be more updates.
Singing, dreaming, telling stories . . . I live surrounded by cultivated fields that rapidly give way to wild flowers, wild plants, and wild life. I love to write more than I love to read, but nothing equals a book that draws me in to find its story. Most recently publication: A Year with the Harrisons, a contemporary coming of age about three sisters, country life, and music. Next year's publication: Temmark Osteraith, a futuristic fairy-tale adventure.