Digging deeper into The Test of Devotion always brings rewards, as I found when I returned to the first draft last year. It has such a great plot, in which interlocking characters pursue separate journeys with one goal in mind—what to do about beautiful, possibly out-of-her-depth, rebellious Arabella. It has POV characters for both sides of the plot, and we switch back and forth between them pretty systematically. Outside of Devotion, the only other novel where I've used multiple POV is Harrisons, but its function is merely practical for incidents that the narrators (Betty or Letty) might not be able to show if I used just one of them. In Devotion the two plots frame each other and head towards one conclusion, swirling around Arabella, as we follow two teenagers who are approaching the same story from different angles.
Viajero is a boy who is born and raised into the outlaw lifestyle, since his father is an outlaw. He also likes it pretty well and views it as a dashing role in society, which causes him embarrassment gradually as he meets new people while finding Arabella and he learns that becoming a criminal is not really an admired life decision. After he is hired by Arabella’s boyfriend to help him navigate an unfamiliar western landscape in search of her, we follow Viajero’s view on the adventure instead of Trevalyn’s.
Jenny, similarly, is a girl who is viewed as a helpful figure around Arabella and balances the Viajero/Trevalyn chapters with feminine situations in a hotel where she spends time with Arabella as a companion/assistant/friend. Her father, who runs the hotel where Arabella is staying, isn’t very popular and Jenny is self-conscious about her role in society, unlike Viajero. Although not formally hired as an attendant, she rapidly becomes one and we follow her efforts to help the attractive protagonist get out of danger.
And there will be more updates.
Pleasant Fiction in an Age of Noise
I write stories about human emotions--about the journey of life. Every step of it can be meaningfully great or simply terrible and you can only reach the end after experiencing many kinds of things that make you grow. Emotional travels are the travels of life and the road of living is not one planned out in notebooks or organized in Scrivener. It is felt in love, hope, and fear and developed through an understanding of why humans go through these. And, on top of that, my stories are adventure stories. History, fantasy, and daily modern situations are all adventures as long as you don't know for sure what's going to happen when you wake up each day. Because that would be like repeating the same day over and over again and who wants to do that?
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