This is the third installment in the In a Nutshell series of blog posts, which takes some of the central five characters from each book and explores them in a bit more detail. Since the two Palladia books are in a series, I’ll explore them in one post. But there were originally 10 characters discussed regarding these books. So I’ll do five and bundle a couple of them under a shared function in the story.
Sidney shows something that’s important to remember about City of the Invaders—most of the real story takes place behind the scenes and in corners adjacent to the main plot. Sidney's actions in the story embody this truth as he does not appear until the final chapters, but it turns out he has orchestrated the outcome the whole time. He has almost no lines, but what he does say is really terse and to the point. Because he's now in charge, there's little need to say more, and there's a formality and elegance to the way he speaks as he drops in to say hello to these kids he's about to move out of their world into his. 😊
Consuela is vital to the companion story, which is named after her. We are shown few women or girls among the Invaders and they are described as near crime and often not respectable. Consuela appears at least somewhat attractive and has enough useful skills to get hired by a wealthy retired lady and blend in with her boss's friends. Her backstory isn't really known in the book other than that where she came from entire houses could have the same monetary value as the dresses given her by Miss Plummer! But her past actually includes a hidden link to Sidney.
Bruce and Mocha are two teenage starlets who bring the social world of the EC into each book. Although neither of them speak much, what they do say is the center of the scenes in which they appear. Mocha enjoys perfecting and cultivating her creative talent, while Bruce is more action-oriented and holds his own when shooting erupts during a stage performance. He has put a lot of investment into his life in the theater, even if he thinks it's somewhat boring, and others can rely on him to come through.
Miss Plummer appears at first to be mostly a plot device who brings with her a group of friends. These friends believe she does not see them because she does not stop them. As they bubble on the surface, all are too quick to assume they know things about the others—whether Amy really wants them to visit Mocha, whether Rena is really interested in books, and whether Rachel sees more than she pretends. But they don't know much about their elderly benefactor, as is shown by her strange move to make a confidant out of a street girl. Like all the EC, her relationships with the Invaders can be subtle.
And there will be more updates.
Pleasant Fiction in an Age of Noise
I write stories about human emotions--about the journey of life. Every step of it can be meaningfully great or simply terrible and you can only reach the end after experiencing many kinds of things that make you grow. Emotional travels are the travels of life and the road of living is not one planned out in notebooks or organized in Scrivener. It is felt in love, hope, and fear and developed through an understanding of why humans go through these. And, on top of that, my stories are adventure stories. History, fantasy, and daily modern situations are all adventures as long as you don't know for sure what's going to happen when you wake up each day. Because that would be like repeating the same day over and over again and who wants to do that?
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