I haven't posted on A Year with the Harrisons in a while so I'll do so while it's being promoted this month. PLUS, it is currently part of the Spectacular Summer Giveaway. If you missed getting a copy of Harrisons in the Children’s Book Giveaway a couple of weeks ago, you can snag it today. But you should check out this giveaway in any case. It's an all-genre event with romance, fantasy, some short stories, books about cooking, contemporary novels, and adventure. Harrisons is a YA comedy that really brings grownup and younger readers together, so it has been in two pretty different collections this month. This giveaway is more for adult readers than the last one and has a great set of books.
Check it out here. And if you try to download A Year with the Harrisons and it doesn’t work because you're already subscribed, use this link for a direct download. But only for my book. Be sure to check out all the others at the link above.
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A Year with the Harrisons is a story about people who are hiding from their past. A lot of the situations in the book are funny, as the characters' bumbling through relationships is often amusing. But like many dramas, coming of age stories, and women’s fiction, complicated family ties that lead to many plot twists are essential to its structure. The two central plots involve two branches of a Texas family, the Harrisons, who haven’t dealt with things about their past relationships to other family members. The plots parallel through the characters of Joe Harrison, a homeschooling father of three teenage girls, and his first cousin once removed, Betty Harrison, a former celebrity who now works at a local diner. While both of these people quietly move in very different spheres, blending in with their chosen social circles, they really have a lot of connection to each other. A connection that can’t be denied and that never goes away.
They are both tied to Betty’s mother, a famous pop singer. But Betty has left her mother to pursue a separate life and has never dealt with any of the emotions about that painful split. She’s a single mother whose young daughter attends an ordinary small-town school. Joe moved into an unusual lifestyle of home-education for his children and has almost cut himself off from the outside world. The girls are isolated and have few friends except at church, since Joe, unlike Betty, has become very religious. You’d never think to see either Joe or Betty that they even knew each other. But of course that's how the story begins, not how it ends.
This is mostly a very cheerful book, because Betty and Joe do end up making good decisions. There are a lot of young people in the book, with prominent plots focused on teenage girls as well as a bit of mild romance between Joe’s daughter Letty and a football player. But these core relationships among the older people build a foundation for the story. Except for the pastor Dr. Bunsen, a minor character whose effort to change the ministries at his church fails, everyone in the circle of the Harrison family and the Shotgun family (who shadow them throughout the book) end up finding there’s always a solution to things if you just deal with them. Betty becomes close to her mother again, all the young people grow into their budding new lives, Joe proves more knowledgeable than anyone anticipated, and the villain, Mr. Shotgun, conveniently pops off.
Perhaps a bit of a contrivance on that last one, but I’d certainly like to think it was at least a little bit real. Facing things is always the best way because when confronted with a direct accusation of identity almost everything bad will immediately disappear. There’s a reason why light always turns trolls to stone.
And there will be more updates.
One of the areas I had most fun with when working on A Year with the Harrisons--when it was first drafted or this year when it was published--was the music theme. Music is something I've always loved (I am practically glued to my MP3 player and I've run through more pairs of earbuds over the years than could be counted.) But it hasn't played a large part in any story except The Harrisons, at least so far.
There are two aspects of music that spiral their way through The Harrisons. Mainstream popular music--a blend of pop and country, very likely to be heard on the radio or even in grocery store background music; and music played in churches. The church scene is quite diverse--classical cantatas, traditional choir music, modern worship choruses, and a dash of instrumental and orchestra, and a lot of story is generated by the conflict between people who argue about these different kinds of music. On the mainstream music end, a prominent subplot concerns the Harrisons' cousin Betty and her family, all of whom do popular music professionally.
Snatches of lyrics poke into the story now and then. Music isn't just a plot device in A Year with the Harrisons--it's part of the story's heart and one of the reasons it might continue to resonate with people. Music has a unique way of capturing emotions that no other medium can express and keeping a musical tone throughout the story is a way of trying to describe things best said through song.
And there will be more updates.
Pleasant Fiction in an Age of Noise
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When I set about defining my books, I wanted them to be positive places where a gentleness emanated from the pages. A hopeful safety lies in gentleness and there's also an honesty to it. A whirlwind of pushy book blurbs and hot characters (or whatever type character the author wants you to admire) can conceal a reality underneath. A quiet--possibly even lurking--reality that's more visible if you dial down the volume. That lurking reality isn't necessarily bad, but like anything quiet, it gets drowned out by conflict and angst. Peaceful fiction can help explore the truth that noisy books ignore.
Bellevere House has been featured on Ezvid Wiki video "10 Wonderfully Inventive Retellings That Interpret Classic Stories in a New Way." Click to see the video.