It didn’t begin this way in the initial drafts, but by the time The Test of Devotion was completed it had grown into a celebration of old-fashioned storytelling. In fact, I thought it was going to be rather a modern story, a genre-market oriented short western romance (think the now defunct Love Inspired Historical.) Since that didn’t work out, the story drifted for a long while until I was seized with a new idea for it. And I love new ideas because they tend to mean a new audience. I was pleased there might be a new direction for this forgotten story and the rewrite moved pretty far towards describing that new concept—the “Why Don’t They Make Them Like They Used To?” feeling in so many of us.
You’ve read and seen it many times in reviews for classic vintage and retro products, in back-cover copy for classic TV shows, in casual conversations with friends. Someone always laments that “they just don’t make ‘em like they used to.” Stories we grew up watching and reading from when we were kids—stories we were raised on by our parents and grandparents. It’s not a feeling of nostalgia, which is rooted in the past, but a respect for something you’d like to continue into the present day. To reboot, to bring again. You regret that new generations can’t be exposed to these classics.
For The Test of Devotion two such “good, old-fashioned” ideas merged into one. The vintage television western, like Roy Rogers or Bonanza, with its family-values tone that didn’t scrimp on the action-packed adventure angle. And the classic novels that so many kids find on library shelves alongside modern bestsellers like The Lightning Thief. Tucked into any kids or young adult section of the library you’ll find older stories like Treasure Island, Tom Sawyer, and Ivanhoe—and, in the case of influences for this book, Kenilworth by the same author as Ivanhoe. Books that certainly inspired me to read and write more when I was growing up.
Why don’t they make them like they used to? Well, the answer is simple. Because they DO make them. The minute someone says that, it means they’d like to see something old-fashioned repeated again. People have been saying that since the dawn of time, harking back to a perennial yearning for Eden. And once they express that wish, a new old-fashioned story pops up again.
And there will be more updates.
The Birthday Present (incl. Millhaven Castle) has a lovely new cover! This was the first of my books to be published. Ironically, it's also the last to get a new cover. I tried renovating the cover several times this year, but I kept returning to old images and ideas. But this time something entirely new was brought forward in the design. The tricky part has always been articulating why these two stories belong together, but I'm learning more and more about the stories and that is shown in the new cover. With a serious, foggy-morning sort of ambiance and a strong blue color scheme, this cover reflects "The Birthday Present" story. And the historical (but not too accurate) nature of the girl's costume and her braided, elegant hairstyle bring in some of "Millhaven Castle."
And there will be more updates.
Pleasant Fiction in an Age of Noise
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When I set about defining my books, I wanted them to be positive places where a gentleness emanated from the pages. A hopeful safety lies in gentleness and there's also an honesty to it. A whirlwind of pushy book blurbs and hot characters (or whatever type character the author wants you to admire) can conceal a reality underneath. A quiet--possibly even lurking--reality that's more visible if you dial down the volume. That lurking reality isn't necessarily bad, but like anything quiet, it gets drowned out by conflict and angst. Peaceful fiction can help explore the truth that noisy books ignore.
Bellevere House has been featured on Ezvid Wiki video "10 Wonderfully Inventive Retellings That Interpret Classic Stories in a New Way." Click to see the video.