With so many great books already out there by other people, why do I want to contribute any of my own? What are my stories about? Since a lot of you have just recently heard of me, most through reader magnet signups, I'll have a brief get-to-know-me post. I have also (finally!) merged my two email lists into one. The lists were duplicates in the weekly content they sent out, so subscribers merged into this list won’t see anything different except the email subject line is a slight variation and the emails go out on Saturday instead of Friday. (And the email header image is updated.)

Essentially, I write because I like to take on ideas that I see other people aren't doing as much of. My stories aren't oddities--they should feel at least moderately familiar--and all are family-friendly. I don't do less common concepts because I want to include above-common levels of violence, for example. But if there's something "different" about an idea it's usually because that idea has a different audience attached to it. Perhaps an unexplored or even an actively secretive audience. Genre concepts on, for instance, the future can seem similar in many books after you've read a lot of them. But what if there's someone out there--someone lurking--who has a quite different view of the future? In their fiction, their cliches and world-building might surprise you. And just because they're not as visible doesn't mean they're not out there.

I've been publishing for 12 years and I mention futuristic fiction as an example because many of you will have downloaded The Birthday Present. (And it's also the first sample in the 9-chapter Sampler others of you might have caught.) The Birthday Present, which is a set of two stories, was actually my first publication all those years ago. For many years I was so wrapped up in throwing out all these obscure ideas as they came to me that I didn't do a good job of marketing at all. So starting in 2017 I reprocessed my publications so they could be more accessible. In a sense, more competitive. The front page of my website briefly overviews some of the improvements to my work's marketing during this time.

​And there will be more updates.

This week’s post is about Ryan and Essie, but before I launch into the post you should know about a GREAT giveaway opportunity. Until the 31st, my book The Birthday Present is free as part of a big January all-genre free book event. Many authors participating and over 80 books available. Download as many books as you want to by subscribing to the author’s newsletters here storyoriginapp.com/to/R78Fzt0

For people already subscribed to my newsletter, you can get a copy of The Birthday Present as a perk. Just hit this link and verify your email. And check out all the other great authors!
storyoriginapp.com/directdownloads/7130f675-a672-4b67-aba8-93078e505036

. . . . . .
​
Ryan and Essie have always been there. When I was a little kid, I first drafted part of a story about how these two children found a distant planet. As a teen the royalty of Caricanus and their intrigues started to show up, with Tarvelas and Viltan. The story was finished much later, as an adult, when I added the ending and stitched it all together.

But I didn’t realize until even more years had passed that what had always been there was a sense of humor. Behind the zany comedy and adventure of kid's books lie a good deal of accidental (or at times intentional) satire of the adult world. Many things are mentioned in comedy for children as a way of exploring them. Adults often take things too seriously. Life is a serious, serious business. People have to work hard, be attractive, get married, get good jobs, plan for retirement, bury their parents, pay for health insurance, and make sure Christmas-with-the-relatives goes off perfectly. But what about the fun people had as kids?

Ryan, a miniature grown-up in the making, is already no fun. He’s uncurious, plays it safe, and always thinks about the bottom line. And he is also a funny character. It also makes a good learning experience for kids, who are used to having the adult world made fun of in their stories. Essie is all child and has the exact personality that makes many adults wish children would sit still. But kids don’t do that. And when Ryan wishes Essie would do that, when he is himself a kid, they are thrown into outer space in the sort of way that children like.

Well, until they grow up to be like Ryan.
​
And there will be more updates.

This post is about The Birthday Present, but I'll start by mentioning a GREAT bundle where you can find fantasy and historical books for review! For the next 2 weeks I and 19 other authors are offering adventure books for review. Mostly fantasy, with a few historical and steampunk titles. I’m providing 2 books, Facets of Fantasy and The Test of Devotion. All the authors want reviews! You can read a sample (first two chapters, in my case) before committing to the book, so that then you’ll be confident of actually finishing and reviewing later. Authors will give books through download or through Amazon gifting. Click this link to start looking for a book to sink into. https://storyoriginapp.com/to/LMsaifd

. . . . .

Something about The Birthday Present would never blend into my other story collection, Facets of Fantasy, although I could see the practicality of not burdening people with too many drifting little collections. Wouldn’t it be so much better to present them with just one? But The Birthday Present, although it seems similar to the Facets stories, is actually more realistic and not so much of a fantasy adventure. "Millhaven Castle," however, in spite of its superficial lightness does share that realistic-even-a-touch-depressing quality. Which brings out the question—what makes a story seem lighter and what makes it seem gloomier?

It’s not a quality in the plot’s incidents, since "Millhaven Castle" is mostly a comedy of manners (since it’s in an imaginary world I imagine fantasy of manners is most accurate.) It’s in the state of the world the characters live in. Millhaven’s dippy little rural kingdom isn’t as extreme as the far-future world of Birthday Present, but both societies are at the same point. They feel hopeless and almost bored, locked in a long-going dispute with another group of people, an endless civil war of sorts, that has ground them into a state of futility. They really are going in circles all the time, with nothing to say, going over these same concepts without any freshnesss and increasingly without any interest. But it’s the way they’ve always lived and they can’t change.

Or can they?

TBP isn’t a hopeless story at all and neither is "Millhaven Castle." Both stories start at the end of this long, useless path the characters have traveled, and by the end things are looking up. People start to make positive changes. They start to express individuality, their own wishes, and independence. Breaking out of this stagnated system into new life. The last words spoken in The Birthday Present are (guess what?) “Happy Birthday.” Birthdays are celebrations of the life you’ve lived the past year, not a statement of defeat. And they promise another year to come. Birthdays are about hope. And Alyce, finally released from a tedious and very selfish hostility that has culminated in a king viewing her as a threat, decides to burn that old ball dress she was forced to wear to visit him. “Which, now she thought about it, was what she’d always really wanted to do.”

Now that’s a happy ending.
​
And there will be more updates.