Ryan and Essie, chronologically, was published between Victoria: A Tale of Spain and The Test of Devotion. And ordinarily I group the books in pairs based on when they were published. The two story collections; the first two Palladia Series books; and the two novels about American 20th-century life are all natural fits for each other and it also happens they were published in adjacent years.
But Ryan and Essie doesn’t match the feel of either Victoria or Devotion. In fact, it’s incompatible as a mystical fantasy story set in deep space. These two books, meanwhile, have much in common with each other and were published very close together. So I’ve paired them as a couple and moved Ryan and Essie farther down in the list towards more recent books in spite of its technical time of publication. This is because it’s now the only one that doesn’t have a partner. (You have 9 books and you’re working in pairs of two, this is bound to happen! 😊) A new book will probably have a lot of compatibility with Ryan and Essie, especially if it’s a fantasy story.
I’ve found it logical to work with the books in pairs because books written very close together usually have the same emotions from readers. It's certainly possible for characters to be part of little cross-connections throughout my books, but audiences tend to feel similarly about books written close in pairs. So usually I write two books that explore a set of related ideas and then move on to another pair of books. But over time I’ve noticed that Ryan and Essie has stood outside of any conversations about my other books. This makes sense if another book is needed to make a pairing--I've only explored half of the ideas around this story, so it's a bit out of context. So why was Ryan and Essie published when it was if it had nothing to do with stories published at that time?
Well, this is really one of my oldest books. I started working with the ideas when I was still a juvenile. And perhaps whatever book eventually pairs with it will also have been a hidden part of my writing world for a very long time.
And there will be more updates.
Pleasant Fiction in an Age of Noise
I write stories about human emotions--about the journey of life. Every step of it can be meaningfully great or simply terrible and you can only reach the end after experiencing many kinds of things that make you grow. Emotional travels are the travels of life and the road of living is not one planned out in notebooks or organized in Scrivener. It is felt in love, hope, and fear and developed through an understanding of why humans go through these. And, on top of that, my stories are adventure stories. History, fantasy, and daily modern situations are all adventures as long as you don't know for sure what's going to happen when you wake up each day. Because that would be like repeating the same day over and over again and who wants to do that?
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